Follower of Jheronimus Bosch 035 - MMXHN3 from Alamys library of millions of high. If the file has been modified from its original state, some details such as the timestamp may not. Download this stock image: Christs descent into Limbo. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. hell in order of entrance and severity: Limbo: Where those who never knew Christ exist. File:Seguace di bosch, discesa al limbo, 1550-70 ca. The number of extant copies demonstrates the popularity of Bosch’s work throughout the 16th century, where many artists attempted to replicate his fantastical, grotesque imagery and intricately detailed painting style. Here, Bosch presents hell through images of destruction, lust. However, multiple copies of these works have been identified, including a version of this painting with an identical composition which can be found at the National Gallery of Ireland. The first circle is Limbo, the space reserved for those souls who died before baptism. Inferno tells the story of Dante's journey through a vision of hell ordered into nine circles corresponding to classifications of sin. Here, Christ appears illuminated within the distinctive shape of a “mandorla,” a type of pointed oval used in medieval and Byzantine Christian iconography.Bosch’s original paintings of these scenes are described in written sources from the 17th century, but their locations remain unknown today. The first circle of hell is depicted in Dante Alighieri 's 14th-century poem Inferno, the first part of the Divine Comedy. Also known as the “Harrowing of Hell,” the story of Christ descending into Hell to redeem sinners between his burial and resurrection is featured in the apocryphal Gospel of Nicodemus. Label Text Representing Christ descending into Limbo, the first circle of Hell in Dante’s Inferno, this painting is a copy after one of four works by Hieronymous Bosch depicting scenes of Christ visiting Hell.
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